The works are divided into four units: Natural Landscapes, Flora and Fauna, Food Culture, and Folk Customs. These 24 masterpieces by 24 artists span the period from Japanese rule (1895-1945) to the new millennium. They not only reflect the landscapes and social milieus of different eras, but also document real life. Culturally speaking, these works preserve traces of life from the past, by which later generations can reminisce or marvel at things that differ from the present day, such as clothing and gradually disappearing temple fairs. 

These works are also the projection and representation of what these artists have seen. They have incorporated their observations of and sentiments for Taiwan, formulating their idiosyncratic styles and interpreting their feelings for the times. If one painting can be said to present an artist’s perspective, those of different artists from different eras joined together can be said to form a diverse landscape. This exhibition aims to integrate art with nature and culture, and when viewed from different perspectives conveys a comprehensive impression of Taiwan.

Train windows are the imagery used to frame these works, which are on display in the Terminal 2 departure hall of the Taoyuan International Airport. Making use of this travel venue brings people and art closer together. This exhibition encourages travelers to view these windows on the diversity of Taiwan before their departure. As these paintings connect artists’ perspectives, travelers are invited to join NTMoFA and these artists in a look back on Taiwan. 

　　Because of the epidemic, the National Taiwan Museum of Fine Arts has launched an online digital collection exhibition to allow people to enjoy art works online without going out. The "Taiwan Image Digital Collection Exhibition" travels through the history of art from the Japanese occupation period to Taiwan's modern art history. After a century of time and space changes, the artist looks at Taiwan from his own vision and emotions and also looks at the world. How to construct an image that belongs to Taiwan’s aesthetics. In the digital collection of artworks, the artist reproduces the social and humanities, national system, local customs, natural environment and various ethnic groups at that time. In other words, in terms of visual interpretation or narration, among them It is mixed with historical memory, caring for people, realistic metaphors, colonial rule, images, texts, etc. The discourse and aesthetics that present different time and space environments also reflect the immediate problems facing the present. 　　The "Taiwan Image Digital Collection Exhibition" covers multiple cultures and local discourses, trying to classify the works from the subjects and media of the collection into (1) Landscape and Ecology (2) Life Scene (3) Observe Nature (4) Humanities (5) Historical Evolution (6) Abstract (7) Multiple Media. Visitors can appreciate the history of Taiwan's art history through another visual experience.