The fictional, the unnamed protagonist is created in this piece to signify and organize a series of heterogeneous, unrelated real events. As a result, it would seem as if these events were part of a larger meta-narrative. As far as I am concerned, the representation is not a retrospectively act, but dramatization of events. While the message appears to be precise and clear, it is nonetheless unreadable. I would call this “irrationality of the interface,” meaning that what we see on the surface is merely a spectacle which has no direct relevance to functionality.（Hsu Che-yu）