In Twos combines many places to create a new, seamless scene. The artists uses a dynamic visual approach to express the coexistence of spirituality, bodily experience and discontinuity in digital states. The continuous merging of many immovable places is expressed by the existence of a digital state, that is, the existence of a digital state in a place that can exist without any proof. Imagery no longer acts as a model of reality or a tool for representation, imagery is just its own existence. Looking over that impossible existence that is also landscape right before one's eyes, creates a feeling of arriving at a place that is disappearing. This is really an aesthetic of incidents happening in real time and also expresses globalization of electronic transmission technology. This causes the possibility of the visual combination of different physical spaces. The aesthetic object is substituted by an immaterial electronic field, which immediately establishes a fictional extension, a feeling of timelessness without place and also a phenomenological long range existence. Response to this kind of completely new time and space relationship in the world of living things has its own specific implications; extension of living organisms with man-made machinery. With even-quality light and careful visual inspection, real and fake scenery integrate side by side to form a new harmonious mix. After this vital development in photography and digital media, man-made scenery appeared which are made more detailed and precise with digital tools and seem to be the same as the real world. What is sharply different between the two is that the former uses the rationalization of ideas and visual imagery to create the landscape, and the latter is the indomitable world of existence. Everything has already existed at that time in a place that isn't present.