In a narrative or non-narrative visual representation, the boundary between what an image may contain and what messages the image conveys is a flexible one. Before anything has been given a meaning, none of these – the signifying system, body measurement or moral consciousness – matters; the only important thing is looking closely. The act of looking has the power to take us to places faraway. On a bright sunny day, I throw all sorts of colors up to the sky and try to photographically capture the exact moments when the paints stay in the sky, as if I was painting the scenes of airplanes crossing the sky. In the end I put these images together to make them look like a world atlas. Looking at these images is a visual trip to those still yet perpetually moving scenery. (Huang Yen Yin)