Composition with sixteen figures in an interior and a stage with Cauca landscape."Anything can happen; everything is possible and plausible. Time and space do not exist. Upon an insignificant background of real life events the imagination spins and weaves new patterns: a blend of memories; experiences; pure inventions; absurdities; and improvisations."August Strindberg.In this work different interests intersect: The picture raises the simultaneous occurrence of chance meetings and actions; signs and resistances; anecdotes and occurrences that take place in an ambiguous space. It is a twofold scene; in which an absurd story has place; as a kind of trap to the logic of representation. The composition deals with the treatment of space and figure; between freedom and rule; but always siding with transgression. It relies on the experience of drawing the human body in order to emphasize the tension between the identity of the character (a young model) and the position of the artist. It plays with the representation of renascence space; the transgression of scale and the study of woodcut technique.Orlando Martinez Vesga