CHANG Yung-Tsuen boldly broke through and experimented with the material, technique, expression, and spatial composition of traditional ink painting in his Variation of Ink Painting Series in the 1980s. First, he eliminated the limitations of existing techniques. He took the “splash-ink” technique to the extreme on a long scroll of Xuan paper as he freely splashed ink on the paper to create large abstract ink stains. As for the use of material, Chang abandoned the uniformity of media and adopted the scroll concept of traditional Chinese painting; he rolled up the ink painting, placed it in an acrylic box, and pull out the center of the scroll, so the ink stains formed random and irregular patterns. Another one of Chang’s revolutionary creativity was to freely put together square acrylic boxes using of the style and installation method of Minimalism. The ink paintings transcended the boundary of two-dimensional and three-dimensional spaces, and Chang gave a livelier and free life to ink painting by creating a space full of visual rhythm and musicality.