While the authentic interpretation of a certain artwork may be passed down with time, in the contemporary reading of art, the most likely case is as follows: when we come across different contexts, we would present bits and pieces of information in a montage and come up with even more interpretations for the artwork in question, even at the cost of misinterpreting. By the end, my intent becomes one of the many options we have. It is not more important than any ambitious interpretation no matter it is imaged or created by others. In this artwork, all of the objects are projected on silver halide photo paper, transferred from photo images, or drawn with lines. They may be interpreted by people from one specific culture but not the other. Thus when we can never really understand a certain object but come up with the so-called truths influenced by our respective sets of cultural values. Although these are all daily life objects, only the artist can possible identify them and recall moments of life as he looks at them. Any other third party shall see them as indiscernible, unidentified objects.