In my work, sound represents the embodiment of my ideas. The process of producing sound creates a few trances after the interplay of ideas. In the past, there were unending formal variations in these processes. In my opinion, this creative form echoes the freely changing quality of ideas. In this creative context for this exhibition I have thought about the issues in the recording process. The main point is to allow the interactive process to form, but not go forward toward unlimited freedom and turn into nothing. The principal medium I use to record the interactive process in this artwork is paper and electrically conductive printing ink. I want the audience to draw on the paper and create sounds, and then they can tear off the finished paper and sound and take it with them. The paper preserves the traces of this interactive process, so later, the visitors can return the sound trace on the paper to the installation site and overlap many papers to combine traces. In my opinion, this is just like opening a gap in the artwork, because it allows the audience members to participate in creating the recording. This is different from the objectivity of sound and image recording equipment, since engaging the audience as an interactive recording device will result in richness and variety. image of myself in the photograph which contains a feeling of peeling back layers of the self.