The main theme of this painting is the landscape of Taiwan. The pine forest of Erzihping serves as the central figure around which the entire composition is arranged. The difficulty of composing this piece lies in the placement of the two pine trees which are vertically juxtaposed at the center of the painting. The painting appeals with its solid brushstrokes which endow the pine trees with great strength and vigor. The occasional cinnabar and blackish-green dots serve to ease the gloomy dampness of the pine forest and add a sense of rhythm to the painting.