There is tranquility over there, and that tranquility tells you if you want to enter a narrative tunnel from here, then you won't be able to find an exit. The wind and sun are beautiful on the pasture and the tranquil, filthy cattle. I am splashing a pail and a pail of white milk toward the cloudless blue sky then capturing these many moments with my camera over and over again. I repeatedly manipulated these many moments until they accumulated into a new moment that is this painting. One after another clouds stare back at us with the power to temporarily bring our hearts to a certain place. That transience is again a new moment which we can only come across if we take a risk. There are many pictures passing nearby, and more and more possess the feeling of speed. Whatever is it that makes us only glance over or stop and have a look at something is very interesting to me. In this kind of creative process, images are no longer just image issues, painting issues or events! So what is it that decides the accumulation of visual experience. I mean, after that experience accumulates to a certain degree, what prompts our decision should be the contemporary feeling of ever-changing speed. That is the core issue and it includes technology and the quality of the operation. I think the capacity of art lies in its differential speed in perceiving experience. When we start to depend on our understanding of art to interpret the process of art, we have also been trapped. So my most important topic in art is how to do away with negative thoughts at the moment art is being made.