The way CHANG Yung-Tsuen completely deconstructs and reverses the ink-wash conventions is to break through the limitation of techniques and materials, while he also integrates the artistic qualities of installation, land art, and environmental art, creating infinite possibilities within the three-dimensional spaces. He does not limit himself in the use of ink-wash. The free splashed ink is combined within the western design concept which bases on geometric shapes such as dot, line, plane, circle, triangle, curve, and etc. Sometimes he only uses paper and ink instead of brushes to create a flowing image which is like the churning sea of ink on large Xuan paper, which is as long as dozen meters or even more than a hundred meter, through his movement. Sometimes he arranges the space as an installation work, creating a fluid state of infinite extension and variations toward multiple directions. This work perfectly represents all the experimental qualities mentioned above.